“Writing Dollars and Sense,” by Daniel Holland
Should I write a story
with big words that pays big money?
Or, should I write this story
that is worth only five cents
but makes sense to me?
Should I write a story
with big words that pays big money?
Or, should I write this story
that is worth only five cents
but makes sense to me?
I just went back in my blog archives to find out…when did I really start blogging? Here’s what I dredged up from the deep:
Is National Poetry Month inane, insane, or inspirational? Newsweek looked at this question. Here’s an excerpt from the article, “The Cruelest (and Coolest) Month” with some words from Billy–Collins, that is: Billy Collins, the former U.S. Poet Laureate and current New York State Poet whose books enjoy the anomalous distinction of outselling many top novels,…
The Nurse Remembers I remember the first meeting, as we signed her up…being in silence as I took her vitals and did the paperwork. Her cancer was so large when we found it, you could see it in her breast. We talked about her pain. I remember when she first was wheeled in to the…
Mara Purl, a colleague from Women Writing the West, knows the challenges and advantages of being multi-faceted in our artistic work. Mara says she’s a “hyphenate” (how cross-genre folks are designated in Hollywood.) She refers to her web site as “an eco-system with interconnecting gardens” and you’ll be amazed at the multi-talent you’ll find there….
Karim Khan (writing under the pen name Ernest Dempsey) has appeared on Riehlife before for a three-day spread when we discussed his book of brilliantly warped short-shorts called “The Biting Age.” Now he has a new book of poetry out titled “Islands of Illusion” and one of his poems is even being considered for nomination…
I always lie when I tell snow stories. You say you walked to school as a kid in two feet of snow. I say I walked in three feet of snow. Not only that–it was 20 degrees below zero. There were no bathrooms in sight, a lot of people around. I was pee-shy.
Daniel, you strike to the heart of the quasi-professional writer’s dilemna. I’ve always chosen to write the story that makes sense to me. I believe it is possible to do both–make both sense and cents…it’s an acquired skill.