Similar Posts
Where do you write? In bed, like Walker Percy, Edith Wharton, Collette, Proust, James Joyce, Mark Twain…and me (at African Rainbow Resort)?
Photo from Aerphant. A tidbit from my Author’s Guild Bulletin caught my eye: “Comfy: Where do you do your writing? For a book of photographs, The Writer’s Desk, by Jill Krementz and published in 1996, John Updike wrote the introduction. “He was interested that some writers seem to avoid a desk entirely. Updike wrote, ‘Walker…
Sightines: A Poet’s Diary Reader Extends Appreciation
Yesterday, I received a beautiful note from Madonna Bettit of Vermont, extending her appreciation after she’d read “Sightlines: A Poet’s Diary.” “Indeed, as you wrote: What will you do with this life?/And why do you wish to keep on living?” You have done something very beautiful. Your lonely, poignant poetry is beyond comment. This is…
Riehlife Poem of the Day: Obi Nwakanma’s “Credo” from “The Horseman and Other Poems”
Earlier this year Nigerian poet Obi Nwakanma filled my Gathering Room with talk that made the world right for the hours he shared himself and conversation. We exchanged poetry books at the end of our time together. I sent some of Daniel’s hardworking roses home for Obi’s wife. In the days that followed our encounter,…
Kwanda (wealth & growth): Reality TV for Social Action & Community Development in South Africa
Damaria Senne is a writer based in Johannesburg. She chats about her life as a writer and mother on Storypot. In addition to writing about technology(www.jcse.org.za) , she also blogs for OneLove, a regional HIV prevention campaign spanning 9 countries Southern Africa. The campaign encourages people to have one sexual partner at a time, and…
“Passage into Elderhood—Happy 60th Birthday,” by Janet Grace Riehl
Womens Memoirs published my story “Passage into Elderhood: Happy 60th birthday” on my 2011 birthday December 29th exactly two years after I celebrated my 60th birthday by returning to Ghana. Long ago a Ghanaian friend asked me, “Janet, what kind of old woman do you want to be?” This story is the answer to his…
Why Susan Tweit reads Riehlife
Looking back at my drafts from the past, I found these encouraging comments from Susan Tweit, noted author, blogger, and friend. We met through Women Writing the West and Story Circle Network. Susan Tweit writes: Riehlife nurtures connections. I think of Riehlife as a tapestry woven of the many voices you meet and hear and…





















As I’ve mentioned before, I really enjoy your colorful art work. If I’m in town when you exhibit at Portfolio, I’ll attend.
Your stunning work deserves a wide audience. I’ll send your post out on Twitter and Facebook. Only wish I could be in St.Louis this August.
Women and Wardrobe: That’s a very impressive collection of work. I love you image called “Flyaway,” especially the way you’ve used negative space, with the female form emerging from that space so nicely rendered. And I also really like “She who dances with stingrays.” Your simple lines and shapes expressing the woman’s movement and connectedness with her piscatorial dance partner, are wonderful surprises. There’s a single line from under the woman’s arm, curling around her body, that suggests either the movement before or maybe the movement to come. You have amazing control of line and form, especially given the medium. Bravo…or “bravado,” as the case may be. Really interesting work, with the subtle taste of you humor, as well. I hope people look very closely and discover how you’re using this medium.
Lively, colorful, sensitive, crazy, mysterious! What a collection! I only wish I could be there to see the show in person.
Thanks, Fran. What a lovely list of adjectives! I’m glad I have writer-friends who also know their art.
Oh, Hal! Thanks for your close reading of the images and your encouragement–as always.
Mes compliments et mes souhaits pour une belle exposition.