Bookland Heights features Riehl’s Sightlines audio book
Mary Cunningham and Diana Black feature Janet Riehl on Bookland Heights. Wanna know how Pop is responding to all this fame? Here’s your answer.
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St.Louis Writer’s Guild Profiles Janet Riehl
This is one of my favorite profiles anyone wrote about me. (St. Louis Writers Guild Newsletter “The Scribe” Fall 2008). Even I learned some things about me! I joined SLWG in 2007 when I moved here, and became a member of distinction in 2008. Hey! The prez lives in the building next door and she’s…
Where do you write? In bed, like Walker Percy, Edith Wharton, Collette, Proust, James Joyce, Mark Twain…and me (at African Rainbow Resort)?
Photo from Aerphant. A tidbit from my Author’s Guild Bulletin caught my eye: “Comfy: Where do you do your writing? For a book of photographs, The Writer’s Desk, by Jill Krementz and published in 1996, John Updike wrote the introduction. “He was interested that some writers seem to avoid a desk entirely. Updike wrote, ‘Walker…
TCM’s Ernest Dempsey Reviews Riehl’s “Sightlines: A Poet’s Diary”
1) You can go to Amazon’s product detail page for “Sightlines: A Poet’s Diary” to search inside. 2) On sidebar of Riehlife you can browse sample poems and read background information on photos and talks at readings. Sightlines Janet Grace Riehl iUniverse Inc. ISBN: 0-595-37499-9 Genre(s): Poetry Reviewed by Ernest Dempsey Death sometimes brings about…
Riehl’s poem “TREASURE CHEST” from “Sightlines: A Poet’s Diary” tells father’s life of service…in the service [World War II] and back home
Janet Grace Riehl and Erwin A. Thompson, father-daughter writing team TREASURE CHEST by Janet Grace Riehl from “Sightlines: A Poet’s Diary” He labors in the grove of service. Remembers flat tires, repaired. Loans proffered for crises. Then his somber face glows with the light of a thousand-watt angel. Memories of good turns returned is a…
Collaboration, Part 6: Levels of Commitment…in conversation with Curt Madison
In the first part of our conversation Curt Madison and I discussed the place of competition in collaboration. This second part takes us into consideration of how the degree of commitment changes how we work together. JGR: Curt, are there different levels of commitment in working together? That’s one of the dimensions my long-term collaborator…
John Rozelle featured in St. Louis Art Museum’s “African American Abstraction: St. Louis Connections” through March 23rd in gallery 337
The Saint Louis Art Museum African American Abstraction: St. Louis Connections, an installation of thought-provoking abstract works from both the Museum’s collection and local private collections features artists Oliver Jackson (born 1935), John Rozelle (born 1944), Phillip J. Hampton (born 1922) and Michael Marshall (born 1953). John Rozelle’s abstract mixed media works communicate profound emotional…